Showing posts with label Thomas Locke Hobbs. Show all posts
Showing posts with label Thomas Locke Hobbs. Show all posts

4.24.2019

fototazo Book Dummy Workshop

Thomas shows photobooks to Mariana, Lina, Camilo, Sofía and Daniel

Thomas Locke Hobbs joined us in Medellín on April 5th and 6th to offer a book dummy workshop at my home for nine participants: Sofía Rojas, Walter Londoño, Mariana Betancur, Camilo Pérez, Lina Piedrahita, Byron Pazmiño, Natalia Lopera, Daniel Gallego and Juliana Henao.

The group learned four binding techniques on the first day and also took part in a conversation about material considerations in book construction. That evening, they created a layout of their book. On the second day, they printed and bound their work. Results can be viewed below.
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© Byron Pazmiño


© Byron Pazmiño


© Byron Pazmiño


© Camilo Pérez


© Camilo Pérez


© Daniel Gallego


© Daniel Gallego


© Daniel Gallego


© Juliana Henao


© Juliana Henao


© Juliana Henao


© Lina Piedrahita


© Lina Piedrahita


© Lina Piedrahita


© Mariana Betancur


© Mariana Betancur


© Mariana Betancur


© Natalia Lopera


© Natalia Lopera


© Natalia Lopera


© Sofía Rojas


© Sofía Rojas


© Walter Londoño


© Walter Londoño


© Walter Londoño

1.08.2019

Microgrant 22: Medellín Foto Camp 2018


Medellín Foto Camp 2018
Location: Barbosa, Antioquia, Colombia
Amount raised: $1,000

Statement
Medellín Foto Camp 2018 was held over a weekend in mid-December in Barbosa, Antioquia at the home of Board Member Gabriel Mario Vélez. Thomas Locke Hobbs and Sebastian Collett joined us as guest artists.

Two former Fototazo microgrant recipients - Natalia Lopera and Juliana Henao - took part in the workshop in a mentorship role. They both helped to plan and also took part in the event. Transitioning former grant recipients into an expanded role as mentors will allow them to further their learning process by passing onwards what they have learned in previous experiences and also enrich the experience for new participants by providing more voices and perspectives during our events. Former grant recipient Andrés Sanchez also helped in the planning of the event, but was unable to attend.

Six new participants attended: Sofía Rojas, Walter Londoño, Mariana Betancur, Camilo Pérez, Lina Piedrahita and Byron Pazmiño. All are current students at La Universidad de Antioquia in Medellín.

The group spent three days and two nights in Barbosa. During the mornings we critiqued the work brought to the workshop by participants and in the afternoons, Thomas and Sebastian taught the group how to work with a 4x5 field camera. This was the first experience for all participants with a larger format camera and also a first experience for the majority in the darkroom.

Thank you to our donors for providing a memorable and enriching weekend for each participant.

Welcome dinner in Barbosa


Natalia sharing her work during critque


Sofía between critiques


Thomas explaining how to load film during the large format camera workshop


Thomas during the large format camera workshop


Sofía, Natalia and Walter relaxing at the end of the day


Sebastian being photographed by Mariana during the second day of the large format camera workshop


Photograph on paper negative made during the workshop


Photograph on paper negative made during the workshop


6.16.2012

96: Thomas Locke Hobbs


untitled, from the series "River Bank | Barranca"
2010

Series Statement: Buenos Aires was founded, twice, on a small bluff not far from where the Paraná and Uruguay rivers enter into a broad estuary called the Rio de la Plata. Hundreds of miles of flat pampas give way, rather undramatically, to a small slope, about 30 feet in height, below which, sits the river. After living in Buenos Aires for about two years, the flatness of the city, the impossibility of having a vista or a perspective from which to orient oneself, began to feel oppressive. I started taking pictures around the one, small topographical feature present in the city; the brief slant of the barely perceptible riverbank, or barranca.

Residents of Buenos Aires say the city turns its back on the river. Indeed, centuries of landfill have pushed the present day edge of the river so far from its original banks that standing at any point on the riverbank, the river itself is never visible. What is visible are the markings of Argentina's history; the lavish parks built in the 19th century, the seat of government, the bullet-scared façade of a government ministry, the site of a clandestine torture center run during the last military dictatorship, murals for candidates, a monument to a lost war, graffiti for a recently deceased ex-president, an elevated highway constructed for the World Cup and so on.

The photos in this work are ordered by their geographical location, from north to south, starting with the Avenida General Paz, which marks the northern limit of the Federal Capital district of Buenos Aires and then continuing southward until Parque Lezama, in the southern part of the city.