Showing posts with label Edwin Ochoa Vélez. Show all posts
Showing posts with label Edwin Ochoa Vélez. Show all posts

12.11.2017

fototazo Mexico Workshops 2017

In Bogotá, getting ready to board a Wingo flight to Mexico. Yes, Wingo is an airline.

I recently travelled to Mexico with ten former fototazo microgrant recipients who have come together as a collective to support their continued education and development. The group consists of Alba Bran, Andrés Sánchez, Angélica María Restrepo, Aura Lambertinez, Eric Robledo, Edwin Ochoa Vélez, Juliana Henao Alcaraz, Margarita Valdivieso, Mónica Lorenza Taborda and Natalia Lopera.

Our trip from November 20th through December 7th included intensive workshops in Mexico City at Centro de la Imagen with Valentina Abenavoli, Patricia Lagarde and Yvonne Vanegas in an event entitled Folio 001. Our time in Mexico City also included additional workshops outside the event with Larissa Leclair and Mariela Sancari.

We next stopped in Oaxaca for visits to Acervo de Toledo, Centro de las Artes San Agustín, Centro Fotográfico Manuel Álvarez Bravo and Instituto de Artes Gráficas de Oaxaca as well as for the chance to sit down with Eva Lépiz.

Donors contributed $4,366.56 towards this experience under the banner of Microgrant 21.

Workshop with Larissa Leclair at Centro de la Imagen


Margarita and Andrés (the two farthest to the right) with students from Mexico working with Valentina Abenavoli


Night out in Mexico City at a pretty fantastic cantina. Note the meat with a knife stuck in it, center of table. That was the presentation.


In Oaxaca with Eva Lépiz


With Eva Lépiz. At some point in these photos I fear you'll realize I didn't bring enough t-shirts and am too cheap to hire out laundry.


Getting the guided tour of Centro de las Artes San Agustín with Javier León Cuevas. Applications to the residency program there from
Colombia sure to spike by 1000% next year.


At Centro de las Artes San Agustín


The ten at the opening of Aura, Edwin and Mónica's exhibition "Ensoñaciones amarillas" in Oaxaca's Casa de la Cultura Oaxaqueña


The gang with special trip guest Raphael Crawford, Chair of fototazo's Board of Directors and a major donor to our trip


I discovered a solution to my perennial t-shirt problem to be no shirt at all. At Hierve el Agua outside Oaxaca.


It was a hell of a ride. Eternal thanks to these special ten.

9.02.2015

Mono Colectivo US Trip 2015: Edwin Ochoa and Andrés Sánchez Muñoz

From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa

To awake from our extended summer break, we're starting off by featuring a selection of portfolios made by the nine fototazo microgrant recipients during their 10-day workshop at the University of Iowa in late June and early July.

Their portfolios will be featured over the next several days with a short text on the work in the original Spanish with an English translation presented after the images. Today we feature the work of Edwin Ochoa and Andrés Sánchez Muñoz.

This week we have featured the work of Margarita Valdivieso and Juliana Henao Alcaraz and also of Aura Lambertinez and Natalia Lopera.
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From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa

Extraños / Strangers (Iowa City)
Edwin Ochoa

In June 2015 I traveled to Iowa City. The first goal when I started this project was to understand the dynamics of the people there, the places they inhabit and how they affect each other.

This project is about a place unknown to me. The strategy I used to start to to get to know it was to approach people I met on the streets, strangers who for some reason called my attention and to form a momentary, but honest bond with them.

En junio de 2015 realice un viaje a la ciudad de Iowa, el primer objetivo cuando empecé el proyecto era entender las dinámicas de las personas, los lugares que habitan y como se afecta el uno al otro.

Este proyecto es sobre un lugar desconocido para mí, la estrategia que utilice para empezar conocerlo fue acercarme a las personas que encontraba en las calles, a esos completos extraños que por alguna razón llamaban mi atención y entablar con ellos un vínculo momentáneo pero honesto.
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© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz

Untitled
Andrés Sánchez Muñoz

This work began as an exploration of American architecture, which differs greatly from ours in Latin America. Gradually, however, it began to take on a somewhat melancholy character, and became a portrait of an alienated, desolate or perhaps a self-absorbed American society in which small worlds are created with few inhabitants.

The project, however, may eventually take on another character, another perspective by exploring lighting and also new locations.

Este trabajo comenzó como una exploración sobre la arquitectura americana, que tanto difiere a la nuestra en Latinoamérica. Pero paulatinamente fue tomando un carácter un poco más melancólico y se transformó en un retrato de una sociedad Estadounidense alienada, desolada o quizá ensimismada en donde se crean pequeños mundos con muy pocos habitantes. 

Pero el proyecto puede ir tomando otro carácter, otra perspectiva mediante de la exploración de luces y ahora nuevas locaciones.

7.21.2014

Medellín and Coventry Image Exchange

Composite of images from the exchange - click to enlarge

During the last three months, seven fototazo microgrant recipients worked on an image exchange project with students of Matt Johnston from Coventry University in Coventry, England. They carried out the exchanges on Tumblr, with one side of the pairing posting three new images approximately once a week, and the other side of the pairing then having one week to respond with three more new images. The project aimed to connect photographers from two locations through visual conversations that provided an opportunity for them to share, interweave and react to their respective photographic visions.

The results can be viewed by clicking on the "Exchange" links below:
Exchange 1
Kat Ullman and Natalia Lopera

Exchange 2
Lucy Bartlett and Margarita Valdivieso

Exchange 3
Imogen Wall and Andrés Sanchez

Exchange 4
Stephen Ma and Edwin Ochoa

Exchange 5
Tom Tierney and Juliana Henao Alcaraz

Exchange 6 
Jonny Bark and Mónica Lorenza Taborda

Exchange 7
Jess Bell and Alba Bran

An online page with all images in the project can be found here.
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Matt has curated a selection of  images on his site here. Below I have done the same, but in my case I have selected exactly one image from each photographer involved in the project from the exchange. We also asked those involved for comments about their experience in this project; comments from three involved from Medellín follow the images.

Natalia Lopera


Kat Ullman


Alba Bran


Stephen Ma


Mónica Lorenza Taborda


Margarita Valdivieso


Andrés Sánchez


Jess Bell


Imogen Wall


Jonny Bark


Lucy Bartlett


Juliana Henao Alcaraz


Tom Tierney


Edwin Ochoa

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Comments from participants
This project has been very interesting because through it we all achieved a form of visual communication, a cultural exchange through images in which we have shared visions of the city, of moments, of people and of spaces. These are experiences framed in the context of two different locations that communicate and interweave stories from two worlds.

In my particular case, I focused my interest in the portrayal of people in everyday environments in order to document and share situations I encountered with my family, friends or strangers that I found in Medellín and its surroundings. In that sense, I have felt very satisfied with the responses of my partner because his photographs also shared his local context. Our images communicate and expose the differences of two places separated by geography, but united in the lens of two photographers that without meeting each other manage to tell a single visual history of portraits and culture.

Thank you.
- Mónica

The experience we have had with the photographic conversation was quite rewarding, we have enhanced our visual and technical vocabulary. The interpretation and the answer to your photos is always something unexpected, like a verbal conversation that brings up secrets that few know and in the same way we can start a whole new topic with a single trigger that changes the conversation. We can see images made far from our own country that are stored in our mental library for future photographs, future trips or future conversations.
- Andrés

My experience as part of the Coventry/Medellín exchange has been very interesting, because it's a very loose and open exercise and we have had the freedom to choose what we want to post, but at the same time it has also required us to be very concrete as we have only three images each time to say something, to respond to what your partner has proposed and in turn to propose something new. This game allows you to react differently each time, to think of different possibilities to approach photography and to learn to be agile in your visual thinking.

I like the idea of ​​keeping a photographic conversation with a person on the other side of the world and seeing what could be built in this way very much. I think it would be good to continue this type of project for further improvement as photographers and to be able to build increasingly interesting and strong projects.
- Edwin Ochoa
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Comments in the original Spanish
Este ejercicio ha sido bien interesante, porque todos a través de este proyecto logramos una comunicación visual, un intercambio cultural en donde por medio de imágenes, compartimos visiones de ciudad, de momentos, de personajes y de espacios. Experiencias enmarcadas en el contexto de dos lugares distintos que se comunican y entretejen historias de dos mundos.

En mi caso particular, centré mi interés en el retrato de personajes en ambientes cotidianos, con el objetivo de documentar y dar a conocer situaciones alrededor de mi familia, amigos o de personajes que encuentro en Medellín y sus alrededores. En ese sentido me he sentido satisfecha con las respuestas de mi pareja, ya que con sus fotografías expuso también su contexto local. Nuestras imágenes se comunican y exponen lo diverso de dos lugares separados por la geografía pero que se unen en el lente de dos fotógrafos que sin conocerse, consiguen contar una historia visual de retratos y de cultura.

Gracias.
- Monica

La experiencia que hemos vivido con las conversaciones fotográficas ha sido bastante gratificante, hemos podido enriquecer nuestro vocabulario visual y técnico. Pues la interpretación y la respuesta siempre es inesperada, al igual que con una conversación verbal van saliendo a colación secretos que pocos conocen y de la misma manera podemos empezar un tema completamente nuevo con un solo detonante de cambio. Podemos ver imágenes que son ajenas a nuestro propio territorio y que se van almacenando en nuestra propia biblioteca mental para futuras fotografías, futuros viajes o futuras conversaciones.
- Andrés

Mi experiencia con el intercambio Coventry/Medellín, ha sido muy interesante, porque es un ejercicio muy suelto y se tiene la libertad de elegir qué es lo que quieres postear, pero al mismo tiempo te exige ser concreto ya que solo se tienen tres imágenes cada vez para decir algo, para responder a lo que tu partner ha propuesto y proponerle algo nuevo y ese juego permite reaccionar diferente cada vez, pensar en diferentes posibilidades de acercarte a la fotografía y aprender a pensar visualmente de forma ágil.

Me gustó mucho la idea de mantener una conversación fotográfica con una persona que está al otro lado del mundo y ver que se podia construir de esta forma y creo que seria bueno continuar con este tipo de propuestas para seguir mejorando como fotógrafos y poder construir proyectos cada vez mas interesantes y fuertes.

- Edwin Ochoa

1.30.2014

Exhibition photos

Images from Mónica (top left), Edwin (bottom left) and Aura (right)

Here are a few photographs from the opening at the Biblioteca EPM in Medellín on January 25th for seven of the fototazo microgrant recipients - Alba Bran, Aura Lambertinez, Edwin Ochoa Vélez, Juliana Henao Alcaraz, Margarita Valdivieso, Mónica Lorenza Taborda and Natalia Lopera. Donations from readers covered the food, drinks and postcards for their opening.

This event brought together three years of work between this site and these photographers, moving from equipment grants to connecting them with mentors and private classes to getting an exhibition opportunity and, finally, organizing the opening together. Congratulations to them and I look forward to seeing their next steps.



Juliana (left) and Natalia (right) getting the spread ready






Edwin, Paola Peña (co-curator), Juliana, Margarita, Natalia, Tom, Aura, Mónica, Alba, Adriana (EPM), Arley (EPM)