Showing posts with label Lauren Henkin. Show all posts
Showing posts with label Lauren Henkin. Show all posts
2.21.2012
The Image: Lauren Henkin, "Displaced 6, 7"
Lauren Henkin
Displaced 6, 7 from the series "Displaced"
(left) 2007, (right) 2008
This diptych was made during one of the most difficult periods of my life. I was separating from my husband of ten years while going through multiple health inssues. I was an emotional wreck.
During that time, I was lucky enough to be able to escape to Nova Scotia, an island in Eastern Canada appropriately referred to as East of Ordinary.
I wasn’t aware of this at the time, but I was drawn to photographing the things that I knew, in my gut, I’d be losing… the idyllic representations of the life we had built together—a house, possessions, safety, comfort, the surface of beauty that was our marriage. The image on the left was an accurate representation of how I felt, as if I could communicate in an image the question that was repeating in my mind when you realize you are truly displaced, What now?
When I returned from Nova Scotia, I started photographing in the large urban park around my house in Maryland. While the images in Nova Scotia represented the softer set of emotions—the sadness, the lonliness, the loss—the images in Rock Creek Park would show the darker set—the anger, the frustration, and the fear. Since childhood, and growing up with woods in my backyard, I had always avoided being alone in the woods. Rock Creek is a park without many open spaces, instead filled with singular paths which steer in and out of recognition.
I only recently started pairing the two sets of images, a way of acknowledging that while the photographs represent two distinct parts of the same experience, the edges outlining the emotions of divorce are never so easily defined.
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Lauren Henkin
9.15.2011
f100: Lauren Henkin and Awoiska van der Molen
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| © Lauren Henkin |
fototazo has asked a group of 50 curators, gallery owners, blog writers, photographers, academics and others actively engaged in photography to pick two photographers that deserve (more) recognition - the underknown, the under-respected as well as not-appreciated-enough favorites. A little more information on the project is available in the first post in the series here.
Today we continue the series with responses from Heidi Romano.
We began the series with responses from Nicholas Nixon, Matt Johnston, Blake Andrews, John Edwin Mason, Aline Smithson, Colin Pantall, Michael Werner, Liza Fetissova, Laurence Salzmann, Bryan Formhals, Richard Mosse, Shane Lavalette, Amy Stein, Amani Willett, Wayne Ford, S. Billie Mandle, Leslie K. Brown, Gordon Stettinius, Marc Feustel, Hin Chua, Adriana Rios Monsalve, Daniel Augschoell, Larissa Leclair, Elinor Carucci, Pieter Wisse, Daniel EchevarrÃa, Natalie Minik, Qiana Mestrich, Jason Landry, Rona Chang, Stella Kramer, Joanne Lukitsh, Yumi Goto and Gwen Lafage.
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| © Awoiska ven der Molen |
Respondent: Heidi Romano is a fine art photographer and founder of UNLESS YOU WILL - a bimonthly international photography journal that showcases a vision within photo-based art. Her own work challenges the perceptions and expectations we have of our surroundings. Presented in an abstract and minimalist style, her photographs play with ambiguity, while conveying a sense of stillness and isolation.
Selections: Lauren Henkin and Awoiska van der Molen
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| © Lauren Henkin |
Lauren Henkin
I adore landscapes and was immediately drawn to the work by Lauren Henkin. Her work is examining the structure, loneliness and beauty of her eternal landscapes. Her vantage point allows us to glimpse a charming new view, a shimmering terrain from afar - I never seem to tire of.
She is currently showing her work at the Newspace Centre of Photography
Awoiska van der Molen
I came across Awoiska van der Molen's work through a collaboration with Fabio Severo for UYW. I discovered that Awoiska van der Molen prefers to work mostly at night, when the senses are not distracted by daily influences. Her remote locations add a mysterious blend of truth and fiction that move me.
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| © Awoiska van der Molen |
8.16.2011
8.16.11 Reading Shortlist
The Reading Shortlist is an occasional post with a listing of recommended readings from other sites.
Gerry Badger, American Suburb X, Garry Winogrand: I Don't Give a Rap About Gasoline Stations - The Winogrand Problem (1988)
Rachel Been, Slideluck Potshow, Interview with Elinor Carucci
Paul Graham, The Unreasonable Apple
Lauren Henkin, Casual Consumption
Darius Himes, What Is a Document and What Is a Style?
Randy Kennedy, New York Times, When Life Gets in the Way of Art
Pedro Meyer, ZoneZero, Are Too Many People Taking Photographs?
Amy Stein, A Few Questions for Steven Ahlgren
Gerry Badger, American Suburb X, Garry Winogrand: I Don't Give a Rap About Gasoline Stations - The Winogrand Problem (1988)
Rachel Been, Slideluck Potshow, Interview with Elinor Carucci
Paul Graham, The Unreasonable Apple
Lauren Henkin, Casual Consumption
Darius Himes, What Is a Document and What Is a Style?
Randy Kennedy, New York Times, When Life Gets in the Way of Art
Pedro Meyer, ZoneZero, Are Too Many People Taking Photographs?
Amy Stein, A Few Questions for Steven Ahlgren
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