Showing posts with label Andrés Sánchez. Show all posts
Showing posts with label Andrés Sánchez. Show all posts

8.02.2019

fototazo Mexico Workshops 2019

Mariana, Natalia, Walter, Camilo and Juliana with Alejandro Cartagena

I recently travelled to Mexico with eight emerging photographers from Colombia: Juliana Henao Alcaraz, Mariana Betancur, Natalia Lopera, Walter Londoño, Lina Piedrahita, Camilo Pérez, Sofía Rojas,and Andrés Sánchez.

Our trip from May 12th through May 24th included workshops at Centro de la Imagen in Mexico City with Julián Barón and Alejandro Cartagena as part of the event Folio 002.

Donors contributed $2,600.00 towards this experience under the banner of Microgrant 25.

Down time with Andrés, Juliana, Natalia, Mariana and Sofía


Natalia, Walter, Sofía, Lina, Camilo and Juliana in Julián Barón's workshop "Ser Libro"


Camilo, Lina, Sofía, Andrés, Walter, Juliana, Mariana and Natalia with our man Alejandro Cartagena


Natalia and Juliana working with Julián Barón


Lina and Walter at our churros joint


Camilo, Walter, Mariana, Rafa, El Gringo Maldito and Andrés ready to rumble


Juiliana, Andrés and Natalia at fight night


Walter, Sofía, Natalia, Lina, Camilo, Andrés, Juliana and Rafa on the roof at Gimnasio de Arte. Thanks to José Luis and Livia!


Rafa, Andrés and Juliana mid-karaoke on our final night in Mexico

4.07.2019

Microgrant 25: Mexico Foto Camp Workshops 2019

© Andrés Sánchez

REQUEST
Financial help for a group of eight emerging photographers from Medellín to continue to build their careers by attending a photography intensive workshop in Mexico in May 2019 at the Centro de la Imagen with Julian BarónMariela Sancari and Alejandro Cartagena as well as to visit museums, galleries and photographer studios while there.

This grant benefits a group of eight emerging photographers from Medellín. They are Juliana Henao AlcarazMariana BetancurNatalia LoperaWalter LondoñoLina PiedrahitaCamilo PérezSofía Rojas, and Andrés Sánchez.


GRANT STATUS
Amount raised so far: $2600.00
The total cost is estimated to be $500 per student
This grant will last until the group leaves for Mexico on May 12th and 100% of donations will be used to fund this trip.

PORTFOLIO

© Andrés Sánchez


© Andrés Sánchez


© Camilo Pérez


© Camilo Pérez


© Camilo Pérez



© Juliana Henao Alcaraz


© Juliana Henao Alcaraz


© Juliana Henao Alcaraz


© Lina Piedrahita


© Lina Piedrahita


© Lina Piedrahita


© Mariana Betancur


© Mariana Betancur


© Mariana Betancur


© Natalia Lopera


© Natalia Lopera


© Natalia Lopera


© Sofía Rojas


© Sofía Rojas


© Sofía Rojas


© Walter Londoño


© Walter Londoño


© Walter Londoño


12.11.2017

fototazo Mexico Workshops 2017

In Bogotá, getting ready to board a Wingo flight to Mexico. Yes, Wingo is an airline.

I recently travelled to Mexico with ten former fototazo microgrant recipients who have come together as a collective to support their continued education and development. The group consists of Alba Bran, Andrés Sánchez, Angélica María Restrepo, Aura Lambertinez, Eric Robledo, Edwin Ochoa Vélez, Juliana Henao Alcaraz, Margarita Valdivieso, Mónica Lorenza Taborda and Natalia Lopera.

Our trip from November 20th through December 7th included intensive workshops in Mexico City at Centro de la Imagen with Valentina Abenavoli, Patricia Lagarde and Yvonne Vanegas in an event entitled Folio 001. Our time in Mexico City also included additional workshops outside the event with Larissa Leclair and Mariela Sancari.

We next stopped in Oaxaca for visits to Acervo de Toledo, Centro de las Artes San Agustín, Centro Fotográfico Manuel Álvarez Bravo and Instituto de Artes Gráficas de Oaxaca as well as for the chance to sit down with Eva Lépiz.

Donors contributed $4,366.56 towards this experience under the banner of Microgrant 21.

Workshop with Larissa Leclair at Centro de la Imagen


Margarita and Andrés (the two farthest to the right) with students from Mexico working with Valentina Abenavoli


Night out in Mexico City at a pretty fantastic cantina. Note the meat with a knife stuck in it, center of table. That was the presentation.


In Oaxaca with Eva Lépiz


With Eva Lépiz. At some point in these photos I fear you'll realize I didn't bring enough t-shirts and am too cheap to hire out laundry.


Getting the guided tour of Centro de las Artes San Agustín with Javier León Cuevas. Applications to the residency program there from
Colombia sure to spike by 1000% next year.


At Centro de las Artes San Agustín


The ten at the opening of Aura, Edwin and Mónica's exhibition "Ensoñaciones amarillas" in Oaxaca's Casa de la Cultura Oaxaqueña


The gang with special trip guest Raphael Crawford, Chair of fototazo's Board of Directors and a major donor to our trip


I discovered a solution to my perennial t-shirt problem to be no shirt at all. At Hierve el Agua outside Oaxaca.


It was a hell of a ride. Eternal thanks to these special ten.

9.02.2015

Mono Colectivo US Trip 2015: Edwin Ochoa and Andrés Sánchez Muñoz

From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa

To awake from our extended summer break, we're starting off by featuring a selection of portfolios made by the nine fototazo microgrant recipients during their 10-day workshop at the University of Iowa in late June and early July.

Their portfolios will be featured over the next several days with a short text on the work in the original Spanish with an English translation presented after the images. Today we feature the work of Edwin Ochoa and Andrés Sánchez Muñoz.

This week we have featured the work of Margarita Valdivieso and Juliana Henao Alcaraz and also of Aura Lambertinez and Natalia Lopera.
______________________________

From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa


From the series "Extraños / Strangers (Iowa City)" © Edwin Ochoa

Extraños / Strangers (Iowa City)
Edwin Ochoa

In June 2015 I traveled to Iowa City. The first goal when I started this project was to understand the dynamics of the people there, the places they inhabit and how they affect each other.

This project is about a place unknown to me. The strategy I used to start to to get to know it was to approach people I met on the streets, strangers who for some reason called my attention and to form a momentary, but honest bond with them.

En junio de 2015 realice un viaje a la ciudad de Iowa, el primer objetivo cuando empecé el proyecto era entender las dinámicas de las personas, los lugares que habitan y como se afecta el uno al otro.

Este proyecto es sobre un lugar desconocido para mí, la estrategia que utilice para empezar conocerlo fue acercarme a las personas que encontraba en las calles, a esos completos extraños que por alguna razón llamaban mi atención y entablar con ellos un vínculo momentáneo pero honesto.
______________________________

© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz


© Andrés Sánchez Muñoz

Untitled
Andrés Sánchez Muñoz

This work began as an exploration of American architecture, which differs greatly from ours in Latin America. Gradually, however, it began to take on a somewhat melancholy character, and became a portrait of an alienated, desolate or perhaps a self-absorbed American society in which small worlds are created with few inhabitants.

The project, however, may eventually take on another character, another perspective by exploring lighting and also new locations.

Este trabajo comenzó como una exploración sobre la arquitectura americana, que tanto difiere a la nuestra en Latinoamérica. Pero paulatinamente fue tomando un carácter un poco más melancólico y se transformó en un retrato de una sociedad Estadounidense alienada, desolada o quizá ensimismada en donde se crean pequeños mundos con muy pocos habitantes. 

Pero el proyecto puede ir tomando otro carácter, otra perspectiva mediante de la exploración de luces y ahora nuevas locaciones.