Showing posts with label David Pollock. Show all posts
Showing posts with label David Pollock. Show all posts
11.03.2013
The Image: David Pollock, from the series "Enclosure"
This photograph is one of a series of pictures made in a large community garden near Victoria, Canada, between 2011 and 2012. What first attracted my attention to the landscape in this picture was the linear and illusionistic quality of the house-like structure forming a central element within the frame. This image connects to an earlier one of wire edging resembling a child-like drawing of a row of houses. I responded to its flat illustrative quality which shows the house as a sheltered place or enclosure with the decaying leaves in the foreground acting in opposition to this bright white representation. While composing the picture, I became aware of the rounded lamp in the window at the top of the frame, and included this element as a kind of beacon of security. I photographed this scene twice: once when it was bathed in sunlight, and the other under an overcast sky. I chose the sunlit landscape, which deepens perspective in the image.
I rarely make pictures that involve looking through objects and prefer what appears to be a less directed composition. In this case, I see the tree trunks and window as framing devices that reinforce the content of the picture. In retrospect, I have come to see the structure as fragile and impermanent, like the fate of the decomposing leaves spread out in foreground.
- David Pollock
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David Pollock
10.13.2011
f100: David Pollock and Simon Kossoff
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| © Simon Kossoff |
fototazo has asked a group of 50 curators, gallery owners, blog writers, photographers, academics and others actively engaged in photography to pick two photographers that deserve (more) recognition - the underknown, the under-respected as well as not-appreciated-enough favorites. A little more information on the project is available in the first post in the series here.
Today we continue the series with responses from Steve Bisson.
We began the series with responses from Nicholas Nixon, Matt Johnston, Blake Andrews, John Edwin Mason, Aline Smithson, Colin Pantall, Michael Werner, Liza Fetissova, Laurence Salzmann, Bryan Formhals, Richard Mosse, Shane Lavalette, Amy Stein, Amani Willett, Wayne Ford, S. Billie Mandle, Leslie K. Brown, Gordon Stettinius, Marc Feustel, Hin Chua, Adriana Rios Monsalve, Daniel Augschoell, Larissa Leclair, Elinor Carucci, Pieter Wisse, Daniel EchevarrÃa, Natalie Minik, Qiana Mestrich, Jason Landry, Rona Chang, Stella Kramer, Joanne Lukitsh, Yumi Goto, Gwen Lafage, Heidi Romano, Julie Grahame and Stefano Bianchi.
Respondent: Steve Bisson is the editor and publisher of Urbanautica, the independent web journal dedicated primarly to contemporary landscape photography.
Selections: David Pollock and Simon Kossoff
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| © David Pollock |
It's a very difficult task to pick two among many interesting photographers. Certainly I like
David Pollock, Canadian photographer. I choose him because I curated his monograph and I came to know him a little bit. I like his spirit very much. Deep culture, high commitment, he has skills in printing, love his landscapes, never trival, works far from hypocrisy, he rejects "ready made" or fashionable things.
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| © David Pollock |
As a second I'll pick one from the youngest wave. The first who comes to my mind is Simon Kossoff. Basically I like and I am interested in the the kind of research he is doing. Moving away from traditional American landscape photography he is searching for his own way. I like when a photographer has a personality and tries to express it. Simon is one of those photographers. He also has a recently self-published first book that I recommend.
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| © Simon Kossoff |
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